I could hold the hot sidewalk, the sky and the hot school building in the background. I did this test to show you that the natural light falling on our model was perfect with the latitude of the camera. You have to bring your level up on the interior or bring your level down outside by using big sheets of ND on the windows or gel. So many times, you cannot balance the inside with the outside easily. One of the selling points of this camera is its 12BIT color space and its 13 stops of latitude. The background was four stops down and I overexposed her 1/3 of a stop so that she had creamy skin tones.Īvailable Light Test: Ungraded (L) Graded (R) I was also impressed with the detail in the BG. I was pleasantly surprised with how they looked. I wanted to see how it would handle this type of shooting, how dark the interior would feel, as well as how the skin tones would resolve. No extra lighting was used, other than turning on the house fluorescents in the background. We set up this test just using available light that was coming through a garage door to key our model. This camera delivers some very nice skin tones. Once you have agreed on this, you know exactly the way to proceed with the lighting plans. The reason for these tests is so that you can establish a visual language with your director. The level that you like might be way too bright for the director or much too dark. Your level of light on the down side, fill side of his or her face is important to help with both storytelling and delivering the emotions that the director wants to convey. Finding that fill ratio that brings about a HAPPY emotion, or a TENSE emotion, or one that is a FEARFUL emotion is critical. Quickly you can see what level that you might like, but is that level right for your scene or your story? “The WHY with Fill Ratio”Ĭreating the emotion, the mood and the tone of a scene that will ultimately transpose onto the actors’ faces is very important. We have our model and we will go down in fill ratio levels a 1/2 of a stop at a time. This is one of my favorite tests because it shows you and the director how the camera will handle underexposure on the fill side of your actor or actress’ face.
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